Wednesday, June 23, 2010

This moment of June

“The triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.” —Virginia Woolf, Mrs. Dalloway

Well, actually:

life; San Francisco; this moment of June.

Friday, June 11, 2010

Appreciation & Analysis of QUEENS AT HEART

Gina at Skip The Makeup just posted a really terrific in-depth analysis and appreciation of QUEENS AT HEART (the amazing 1967 archival short I unearthed which was restored by The Legacy Project and will be playing next month at Outfest). Here's an excerpt from the blog:
"Back in the mid-90's, San Francisco film historian Jenni Olson would peruse collectors magazines like the now-defunct "The Big Reel" looking for hidden cinematic treasure. She came across a 35mm print being sold by an old projectionist in Kansas City for $75. Olson was always on the lookout for queer/trans-related titles and her radar instantly went up when she saw the title "Queens at Heart" and thought it might be related to the subject of drag."

Read the rest HERE.

Thursday, June 03, 2010

The Times of Vito Russo teaser trailer

Documentary filmmaker Jeffrey Schwarz is currently in production on this exciting celebration and showcase of one of the greatest LGBT activists of all time. Vito Russo was one of the founders of the gay liberation movement, a driving force in ACT-UP, and a pioneer in the exploration of LGBT representations in film. He was also one of my mentors and his book The Celluloid Closet basically saved my life. Take a minute to watch this trailer and then click through HERE to join the Facebook page for the film (and please contribute to support the film if you can).

P.S. I was interviewed for the film (whether I end up on the cutting room floor or up on the big screen only time will tell — but in the meantime for some reason I am—happily—listed fifth in the cast credits on IMDb! Just after Michael Musto and before Larry Kramer).

Tuesday, June 01, 2010

17 Reasons Because

Back in April 2007 I wrote this blog post for (the fabulous L Word social network site that no longer exists). It is the 5th anniversary of the demise of the legendary 17 Reasons sign and seems a good time to re-post this. If you have not seen this episode of The L Word you definitely should (the sign figures heavily in the plot). Read on to learn more and you should also check out this great new piece about the sign on — which is what reminded me to post THIS item right now..

NEWSFLASH! That wonderfully enigmatic fictional structure that helps Bette win Jodie’s heart actually exists.

The legendary 17 Reasons sign was one of the most treasured landmarks of San Francisco’s Mission District until it was surreptitiously torn down in May 2002 and replaced by a thirty-three foot square illegal billboard (which continues to be leased by San Francisco outdoor signage company Foster Media Inc.) The “Why” part of the original sign had been taken down years prior, and currently resides in a nearby design studio on Shotwell Street.

An Architectural Touchstone
Like many San Franciscans, I fell in love with the 17 Reasons sign the first time I saw it – monumental and enigmatic, perched high atop the Thrift Town at 17th Street and Mission this nostalgic beacon had the charismatic appeal and architectural grandeur of Great Art. And the whimsical joy of poetry! It’s meaning was so unclear that it lent itself to philosophical, even spiritual interpretation. It was a true icon (or as I said to the San Francisco Chronicle in 2003, during the time when there seemed to be some hope of saving the sign: "It has always been inspirational to me as an artist. It's an architectural touchstone.")

In 1997, when I made my first 16mm urban landscape film, Blue Diary (now available as an extra on The Joy of Life DVD – click HERE to pop it in your Netflix queue today) the 17 Reasons sign was one of the first locations we shot. It was so beautiful in the early morning light.

Erected in 1935, the 17 Reasons Why sign was a terrific Depression era commercial advertising structure, which originally sported neon tubing and stood as a neighborhood landmark promoting the Redlicks Furniture Store (check out this Google map link for 2101 Mission Street and you can see the billboard atop the building).

1,089 square-foot spectacular
Local film archivist Stephen Parr looked out his window one fine morning in May 2002 to see the sign being cut apart and hauled away. Parr went all the way to a Benicia salvage yard to rescue the pieces and bring them back to the neighborhood in hopes of somehow restoring the icon to its rightful home. Neighborhood activists then unsuccessfully approached the San Francisco Board of Appeals in an attempt to force the building’s owners to restore the sign (and remove the billboard which was erected less than a year after the passage of Proposition G, a measure banning all new general advertising in the city). Alas, their efforts failed and the billboard continues to blight the intersection (or as the Foster Media Inc. website proudly proclaims: “This 1,089 square-foot spectacular can be seen by heavy vehicular and pedestrian traffic on Mission Street, travelers heading east on Seventeenth Street and residents going through the Castro District.”)

I stopped by Parr’s office (home of The San Francisco Media Archive and Oddball Film + Video) to photograph the sign last week. The word REASONS takes up the entire wall of one room. The twenty-one-foot high 17 had to be cut into pieces for transport and is now nestled between the shelving units that hold Parr’s vast holdings of archival film prints (which also includes the Jenni Olson LGBT Film Archive).

Parr expresses little hope that the sign will ever be restored to its original home. “I’m still trying to find a home for the 17 -- preferably indoors,” says Parr. “My ultimate goal is for it to be all together in one place, here in the Bay Area. Like the lobby of a building or some large public space.”

How did it end up on The L Word?
The other story behind the story: OurChart’s Beth Callaghan (photographer and erstwhile inner-city archeologist) has been documenting San Francisco’s historic urban advertising for years — from the faded, painted ads that once covered the exteriors of Tenderloin hotels to the understated Lipton Tea and MJB Coffee promotions that once graced the windows of every corner store in town. When L Word creator Ilene Chaiken needed a piece of vintage sign art for her season finale plot device she turned to the expert, and Callaghan turned her on to the long-lost 17 Reasons sign.

My original OurChart piece had lots of images in it but I don't have time to pull that all together, so. Here is a link to my Flickr photoset with a bunch of shots. And to see more images of the sign visit the 17 Reasons Why Group Flickr Pool!